Jirrawun Girls
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Jirrawun Girls Image 1 Jirrawun Girls Image 2
Ponoćno lutanje Kununurom, 2006.
Kununurra Midnight Prowl
, 2006
  Sux, 2006


Vondean Nocketta
Born in 1985

Tennielle Nocketta
Born in 1988

Remika Nocketta
Born in 1989

Ramona Nocketta
Born in 1991

www.jirrawunarts.com

Image 1:
Kununurra Midnight Prowl, 2006
Courtesy the artists, Jirrawun Arts and Sherman Galleries, Sydney
Photo: Paul Green

Image 2:
Sux, 2006
Courtesy the artists, Jirrawun Arts and Sherman Galleries, Sydney
Photo: Paul Green

The younger women’s graffiti works do not contain the `traditional´ content of the older women’s paintings. Behind the tags and the language there is the same strength and power. Their graffiti is tame in comparison to their lives. The content of the paintings covers the walls of Kimberley towns and communities. It is the only language that is screaming at the great Australian indifference and to all sides of politics – black and white, left and right, dry and wet.

Aboriginal art has always transformed itself, interacting with the temporal, both natural and social. Aboriginal art has always been contemporary, as with art from places the world over. All the paintings speak visually for themselves and contain stories. ...the younger women’s paintings are contemporary transformations from ghetto wall to canvas.

Tony Oliver

From: Women’s Business, exh. brochure, Sherman Galleries (Sydney, 2006)

Vondean Noketa
Rođena 1985.

Tenijel Noketa
Rođena 1988.

Remika Noketa
Rođena 1989.

Ramona Noketa
Rođena 1991.

www.jirrawunarts.com

Slika 1:
Ponoćno lutanje Kununurom, 2006.
Ljubaznošću umetnica, Jirrawun Arts i Sherman Galleries, Sidnej
Fotografija: Pol Grin

Slika 2:
Sux, 2006.
Ljubaznošću umetnica, Jirrawun Arts i Sherman Galleries, Sidnej
Fotografija: Pol Grin

U grafitima mlađih žena nisu prisutni “tradicionalni” sadržaji slika starijih žena. Iza etiketa i jezika nalaze se ista snaga i moć. Njihovi grafiti su pitomi u poređenju sa njihovim životima. Sadržina slika pokriva zidove u gradovima i zajednicama Kimberlija. To je jedini jezik koji vrišti na golemu australijsku ravnodušnost i na sve strane u politici – crne i bele, levičare i desničare, suve i mokre.

Umetnost aboridžina uvek se preobražavala kroz interakciju sa savremenim, kako prirodom tako i društvom. Umetnost aboridžina je oduvek bila savremena, kao što biva sa umetnošću širom sveta. Sve slike vizuelno govore za sebe i sadrže priče… slike mlađih žena predstavljaju savremeni prelaz sa zidova geta na platno.

Toni Oliver

Preuzeto iz: Women’s Business, exh. brochure, Sherman Galleries (Sydney, 2006)